Being an author isn’t just about putting words on a page—it’s about chasing the spark that turns ideas into stories that touch hearts. As the creator of Discovering Misty: The Mermaid of the Emerald Coast and George and the Brave Eagle, and a blogger who recently hit 1,048 visitors, I’ve learned that writers live in a world where imagination and purpose collide. If you’re wondering whether you’ve got that writer’s spark, here are some signs, tied to my own journey of crafting children’s books, growing my blog, and advocating for hope.
What Happens Next?
You’re Always Asking, “What Happens Next?”
You might be a writer if you can’t help but wonder what’s around the next corner of a story. Whether I’m walking along the Emerald Coast, where Discovering Misty was born, or brainstorming for George and the Brave Eagle, I’m constantly asking, “What happens next?” A seashell could inspire a mermaid’s quest, or a soaring bird could spark a tale of courage. If you’re always chasing the next plot twist, you’re a writer at heart.
You Rewrite the World to Make Sense of It
You might be a writer if you process life’s highs and lows by turning them into stories. When life feels heavy, I pour my thoughts into blog posts about resilience or craft scenes where Misty faces challenges with grit. Writing is my way of making sense of the world, and if you find yourself doing the same—whether through poetry, fiction, or a journal—you’re likely a writer, too.
People Watcher
You’re a People-Watcher with a Purpose
You might be a writer if you process life’s highs and lows by turning them into stories. When life feels heavy, I pour my thoughts into blog posts about resilience or craft scenes where Misty faces challenges with grit. Writing is my way of making sense of the world, and if you find yourself doing the same—whether through poetry, fiction, or a journal—you’re likely a writer, too.
You might be a writer if you study strangers in a coffee shop, imagining their backstories. I’ve built characters for Discovering Misty: Friends Forever by watching kids play at the beach or families share stories. Writers don’t just observe—they weave those moments into narratives that resonate. My blog often reflects these snapshots, connecting everyday life to bigger themes like hope and community.
You Fall in Love with Your Tools
You might be a writer if you have a favorite pen, a lucky notebook, or a laptop you treat like a trusted friend. My desk, cluttered with notes for my GoFundMe campaign for George and the Brave Eagle, is my creative sanctuary. If you get a thrill from the click of a keyboard or the smell of fresh paper, you’re part of the writer’s club.
You’re Haunted by Stories That Demand to Be Told
You might be a writer if an idea grabs you and won’t let go until it’s on the page. The story of George, soaring with bravery, or Misty, discovering her strength, kept me up at night until I brought them to life. If you’ve ever felt a story tugging at you, insisting it needs to exist, you know the writer’s calling.
You Find Joy in Reader Connections
You might be a writer if a single reader’s comment lights up your day. When someone leaves a review for Discovering Misty on Amazon or shares how my blog inspired them, it’s like fuel for my soul. Hitting 1,048 blog visitors felt like a milestone worth celebrating, and every interaction reminds me why I write: to connect, inspire, and spread joy.
You Write for Something Bigger
You might be a writer if your stories carry a deeper purpose. For me, it’s about more than children’s books—it’s about weaving hope and resilience into every page, a mission that ties to my advocacy for suicide prevention. Whether I’m sharing a blog post about family reading or a story about a brave eagle, I write to remind readers, young and old, that they’re not alone. If your words aim to lift others up, you’re a writer with heart.
You Keep Going, No Matter What
You might be a writer if you push through rejection, doubt, or the grind of promotion—like pitching Discovering Misty to bookstores or rallying support for George and the Brave Eagle. Writers don’t quit because the spark of creation is too strong. Even on tough days, I find myself back at my desk, writing a new blog post or polishing a chapter, because stories are how I make a difference.
If these signs feel like home, you might be a writer. Embrace the spark, chase the stories, and let your words light up the world. For me, it’s about bringing Misty and George to life, growing my blog, and sharing hope—one story at a time.
Write a story PROSE only (poetry DQ’d) in which a minor character is tired of playing second banana and steals the spotlight from the main character. Do not kill off the MC to accomplish this.
Karen had always been the quiet anchor in Robert’s stormy sea. For twenty-three years, their marriage had been a sturdy ship, weathered by the gales of two careers, a mortgage that bit like frost, and the relentless tick of raising teenagers who had since fled the nest like birds testing their wings. Robert, with his broad shoulders and booming laugh that could fill a room, was the captain—charismatic at barbecues, the guy who fixed the neighbor’s fence without being asked. Karen? She was the first mate, the one who plotted the course with grocery lists and PTA fundraisers, her own dreams tucked away like spare sails in the hold.
It started innocently enough, that itch under her skin. At forty-six, with the house echoing emptier than a church on Monday, Karen found herself scrolling through community center flyers during her lunch break at the library. “Creative Writing Circle: Unleash Your Inner Storyteller.” The words glowed on the screen like a siren’s call. She’d always harbored a secret: novels. Not the tidy romances with happily-ever-afters, but the messy ones—women clawing their way out of cages they didn’t even know they’d built. In her twenties, she’d scribbled fragments in spiral notebooks, but life had a way of piling on: Robert’s promotion that demanded overtime, the twins’ soccer practices, the endless cycle of laundry and lesson plans. The notebooks gathered dust in the attic, yellowing like forgotten promises.
One rainy Tuesday in March, she signed up. “Why not?” she told herself in the rearview mirror, heart fluttering like a trapped moth. Robert raised an eyebrow over his newspaper that evening. “Writing group? What’s next, interpretive dance?” His chuckle was light, but there was an edge to it, like gravel under tires. Karen laughed it off, but as she drove to her first meeting, she felt a spark—small, but alive.
The circle met in a cozy back room of the library, ringed by mismatched armchairs and a table scarred from years of spilled coffee and inked dreams. There were eight of them: a retired teacher with a penchant for haiku, a tattooed barista penning sci-fi epics, and Sarah, a sharp-witted divorcee in her fifties who led the group with the gentle authority of someone who’d survived her own shipwrecks. Karen arrived clutching a dog-eared copy of Bird by Bird by Anne Lamott, her palms sweaty as if she were confessing a sin.
“Share if you want,” Sarah said, her eyes kind behind wire-rimmed glasses. “Or just listen. No judgments here.”
Karen listened at first, mesmerized by the alchemy of words. The barista read a scene of interstellar betrayal that left them gasping; the teacher recited a poem about cherry blossoms that made her weep for her own long-gone youth. On the fourth week, emboldened by the circle’s warmth, Karen pulled out her notebook. “It’s just a start,” she mumbled, unfolding a page yellowed with age. She read about a woman named Eliza, trapped in a marriage to a man whose love had curdled into control—subtle at first, like a shadow lengthening at dusk.
The group leaned in. “That’s raw,” Sarah said when she finished. “What’s next for Eliza?”
Karen blinked, the question hanging like mist. “I… don’t know yet.”
But she did know, deep down. That night, as Robert snored beside her, she slipped into the kitchen and wrote until her hand cramped. Eliza’s husband, Victor, emerged on the page like a thundercloud: sarcastic barbs disguised as jokes, praise doled out like crumbs, chores dumped on her like so much ballast. Victor never said “I love you” without a qualifier; he fixed the sink but grumbled about her “nagging.” It poured out of Karen—pages and pages—until the first light of dawn crept through the blinds.
By summer, the novel had legs. Karen titled it Echoes in the Attic, a tale of Eliza discovering her voice through clandestine letters to a long-lost friend. The writing group became her lifeline: Sarah’s feedback sharpened her dialogue, the barista suggested twists involving hidden diaries, and even the haiku teacher contributed metaphors that made the prose sing. Karen bloomed under their attention—laughing freely, her posture straightening like a flower turning to the sun. She bought a new planner, color-coded with chapter deadlines, and even splurged on a sleek laptop that hummed approvingly under her fingertips.
Robert noticed, of course. At first, it was subtle: a sidelong glance when she lingered at the dinner table, scribbling notes instead of clearing plates. “Earth to Karen,” he’d say, his fork hovering mid-air. Then came the jabs. “Those book club witches turning you into Virginia Woolf? Next you’ll be drowning in the river.” Laughter, always laughter, but it landed like lead in her stomach. The twins, home for a weekend, picked up on it too. “Dad, chill,” their daughter Mia whispered during a tense barbecue, but Robert waved it off. “Just teasing your mom. She knows I love her dramatic side.”
But did she? The house felt smaller, the air thicker. Karen’s evenings stretched into nights at the library, her returns greeted by Robert’s silhouette in the den, TV flickering blue across his face. “Good time?” he’d ask, not looking up. “Great,” she’d reply, pecking his cheek before retreating to the guest room—ostensibly for “quiet writing space,” but really to avoid the weight of his unspoken resentment.
It wasn’t always like this. Karen remembered their early days: Robert, the boy from the auto shop with grease-stained hands and eyes like summer storms, who’d courted her with mixtapes and midnight drives to the quarry. They’d married young, full of fire, building a life brick by brick. But time has a way of eroding foundations—his job at the plant soured with layoffs and overtime, her library shifts grew monotonous, and somewhere along the line, the compliments dried up. “You’re my rock,” he’d say once, but now it was “Pass the salt” and sighs over her “hobbies.”
By September, Echoes in the Attic was halfway done, and Karen’s confidence was a quiet roar. The group celebrated with cheap wine and carrot cake, toasting to “Eliza’s escape.” Sarah pulled her aside. “This isn’t just fiction, is it? Parts of you are in here.”
Karen hesitated, then nodded. “The best parts, maybe. And the worst ones I want to leave behind.”
That night, as she pulled into the driveway, Robert was waiting on the porch, arms crossed like a sentinel. The porch light cast harsh shadows, turning his face into a mask of accusation. “You’re late again.”
“Meeting ran over,” she said, juggling her bag and laptop. “We were brainstorming the climax.”
He followed her inside, the screen door slapping shut like a punctuation mark. “Climax, huh? You’d better not be writing about me in that little novel of yours.” His voice was low, laced with that familiar sarcasm—the kind that twisted compliments into knots.
Karen set her things down, forcing a smile. “What? No, Robert. It’s fiction.”
He leaned against the counter, eyes narrowing. “Come on. Spill it. Is Victor supposed to be me? The big bad husband?”
She shook her head, the lie bitter on her tongue. Not a lie, exactly—Victor was an exaggeration, a caricature born of too many unspoken hurts. But close enough to sting. “Oh no,” she said, meeting his gaze with feigned lightness. “No, the main character in my novel is horrible. He’s a bully, always sarcastic, never gives her any praise or helps around the house. Eliza deserves better.”
The words hung between them, sharp as shattered glass. Robert’s frown deepened, a furrow etching his brow like a fresh scar. For a moment, she thought he’d erupt—the old Robert, quick to temper, quicker to deflect. But he just straightened, jaw tight. “Oh,” he said, the syllable flat as a dropped coin. Then, without another word, he turned and headed for the den.
Karen stood there, pulse thundering in her ears. Had she gone too far? The group always said to write the truth, but this felt like tossing a match into dry tinder. She glanced at the clock—8:47 PM. Her stomach growled, reminding her she’d skipped dinner again. Sighing, she trudged upstairs, the novel’s latest chapter mocking her from the screen: Victor sneered, “Who do you think you are, some wannabe author?” Eliza’s hands trembled, but she straightened. “I’m the one holding the pen now.”
Sleep came fitfully, dreams tangled with ink and accusations. She woke to birdsong and the smell of… what? Bacon? No, something richer—herbs and slow-simmered meat. Frowning, she padded downstairs in her robe, the house unnaturally quiet. Robert’s truck was in the drive; he must have called in sick. Or…
The kitchen stopped her cold. Spotless. Not the half-hearted swipe she’d grown used to, but gleaming. Counters wiped to a shine, no crumbs lurking in the corners, the sink empty and sparkling under the window’s morning light. The floors—vacuumed, even the fringes of the rugs fluffed back into place. And on the stove, a Dutch oven bubbled gently, the lid propped to release a cloud of savory steam: beef bourguignon, her mother’s recipe, the one Robert always claimed “took too damn long.”
He emerged from the pantry then, sleeves rolled up, a dish towel slung over his shoulder like a badge of surrender. His hair was damp from a recent shower, and for the first time in months, he looked… vulnerable. Not the captain, but a man adrift.
“Morning,” he said, voice rough but soft. He stirred the pot, avoiding her eyes.
Karen blinked, the scene surreal. “Robert? What…?”
She obeyed, sinking into the seat as if her legs had forgotten how to hold her. He poured a mug—two sugars, splash of cream, just how she liked—and set it before her with a plate of toast, butter blooming golden. Only then did he meet her gaze, his own shadowed with something raw, unnameable.
“Sit,” he said, pulling out a chair with a scrape that echoed too loud. “Coffee’s hot.”
“I read it,” he said finally, leaning against the counter. “Your laptop was open last night. Echoes in the Attic.”
Her heart plummeted. “You… what? Robert, that’s private—”
“I know.” He held up a hand, palm out. “I wasn’t snooping. You left it charging in the den after our… talk. I saw the title, and… hell, Karen, I couldn’t stop.”
She wrapped her hands around the mug, the warmth a lifeline. “And?”
He exhaled, long and shaky, rubbing the back of his neck—a telltale sign from their early days, when he’d fumble apologies after bar fights or forgotten anniversaries. “Victor’s a real jerk. And he’s… me. The sarcasm, the way I brush off your wins like they’re nothing. The house falling apart around us because I’m too tired or too proud to pitch in.” His voice cracked on the last word, and he turned to the stove, fussing with the pot to hide his face.
Karen’s throat tightened. Part of her wanted to rage—at the invasion, at the confirmation of her fears. But another part, the one that remembered mixtapes and quarry kisses, ached with possibility. “It’s not all you,” she whispered. “Victor… he’s the worst parts. The parts I amplified because it hurt to say them out loud.”
He nodded, still not turning. “I get that. But reading it? Seeing myself through your eyes? It’s like staring into a mirror I didn’t want to clean.” A pause, the spoon clinking against the pot. “You joined that group, and at first, I thought it was just a phase. Another distraction. But then you lit up, Karen—like you used to, before life ground us down. And I… I felt left behind. Like if you got too good at this, you’d see how small I am without you propping me up.”
The confession hung there, fragile as spun glass. Karen rose, crossing the kitchen in three steps, her hand tentative on his arm. He stiffened, then relaxed, turning to face her. Up close, she saw the lines etched deeper around his eyes, the gray threading his temples like silver veins. Forty-eight going on weary.
“I’m not leaving you behind,” she said, fierce and soft all at once. “I joined the group to find me again. Not to escape us. But if we’re honest… we’ve both been lost. You, burying yourself in the shop and the game highlights. Me, in the silence.”
He searched her face, then pulled her close—awkward at first, like two dancers out of step. But then his arms tightened, and she melted into him, the scent of his soap and simmering stew wrapping around her like forgiveness. “I’m sorry,” he murmured into her hair. “For the barbs, the blindness. For making you feel like your dreams were a hobby, not a fire.”
She pulled back, cupping his face. “And I’m sorry for hiding. For letting Victor carry the weight instead of talking to Robert.”
They ate then, the casserole rich and tender, each bite a bridge. Conversation flowed haltingly at first—about the twins’ latest antics, the leak in the attic they’d ignored for months—then deeper, into the marrow. Robert admitted the plant’s latest round of cuts had him terrified of obsolescence; Karen confessed how the novel’s climax mirrored her own crossroads, Eliza choosing not divorce, but reinvention. “She makes Victor see her,” Karen said, fork poised. “Not as the wife, but as the woman who writes worlds.”
Robert set down his napkin. “Then let me help. Not fix you—I can’t—but stand beside. Teach me to vacuum those damn fringes.”
She laughed, the sound bubbling up like champagne. “Deal. But first, read the whole thing. Give me notes. Be my beta reader.”
His eyes widened. “Me? I’m no literary critic.”
“You’re my first reader,” she said simply. “Always have been.”
That afternoon marked a turning. Robert canceled his golf game, instead tackling the attic with her—dusty boxes hauled down, old notebooks unearthed like time capsules. He read Echoes in fits and starts, his red pen hesitant but honest: This line hits hard—too real? and Love Eliza’s fire here. Reminds me of you at 25. Karen revised with his input, Victor softening not into a saint, but a man capable of change—sarcasm tempered by vulnerability, chores shared like secrets.
The writing group noticed the shift. “You’re glowing,” Sarah said one Tuesday, passing the wine. Karen smiled, a secret tucked in her pocket: Robert’s latest text, Dinner’s on me tonight. Write fierce, love.
By November, Echoes in the Attic was complete, submitted to a small press with trembling hands. Rejection came first—a form letter that stung like salt in a cut—but acceptance followed in spring, a quiet miracle. The launch party was intimate: the group, the twins, and Robert, who stood beside her at the podium, his hand warm on her back. “To Karen,” he toasted, glass raised. “The storyteller who taught me to listen.”
As applause rippled, Karen caught his eye, seeing not the bully of her pages, but the partner she’d almost lost to silence. Words, she realized, weren’t weapons or escapes—they were invitations. To see, to mend, to begin again.
And in the quiet nights that followed, as she plotted her next novel, Robert would sometimes join her at the kitchen table, his own notebook open to blank pages. “Think I could write about a guy who fixes trucks?” he’d ask, pencil tapping.
She’d grin, leaning over. “Only if he learns to cook.”
Sometimes, lines between fact and fiction create the best and worst of times. Words aren’t weapons or escapes, they are invitations. To see, to mend, to begin again. Do not allow them to fester.
Hey, everyone! I wanted to let y’all know that I won again — this time, it’s a $25 award. The story is based on the experiences of a woman in the foster care system. My story is dedicated to my dear friend, Dorothy Phillips, affectionately known as Dot in the story.
Dorothy is my bestie from California. We worked together in Sacramento County in Northern California. She was an excellent foster parent who cared for many children and babies in the Sacramento area.
Although Dorothy advocated mightily for the children in her care, she preferred to perform her service with the quiet fortitude of the character in Bette Midler’s song and story, “Wind Beneath My Wings”. In no way does this mean that I was the character that Midler played. And Dorothy did not die, as in the movie. However, the movie and song both reflect the love and admiration I have for this stalwart angel of God. She did the work of angels.
We haven’t spoken much these past few years. But there’s no doubt in my mind and heart, that our mutual love and respect continue — and will continue through the ages.
I testify that Dorothy Phillips is truly one of our Heavenly Father’s choicest daughters, having learned her inherent skills at the knee of her Heavenly Mother.
I ask for blessings upon her, her husband Francis, and her children, both natural-born and those countless spirits she nurtured and mothered. I say countless, because of her influence as a result to generations, like a ripple effect of a pebble dropped in a spring.
Dorothy’s nurturing qualities resonate with several figures from the Bible, but she most closely resembles Hannah.
**Mothering and Care: Hannah, the mother of Samuel, is known for her deep love and commitment to her son. After fervently praying for a child, she dedicated Samuel to the Lord’s service, showcasing her selflessness and devotion.
**Security and Comfort: Just as Dorothy provided a safe haven for foster children, Hannah offered emotional and spiritual support. Her story emphasizes the importance of a mother’s love and the lengths she would go to ensure her child’s well-being.
**Advocacy: Hannah advocated for her son’s future, much like how a foster parent advocates for the needs and rights of the children in their care. She sought God’s guidance and blessings for Samuel’s life, demonstrating her commitment to his spiritual and personal development.
“I’ll love you forever, I’ll like you for always, as long as I’m living, my baby you’ll be.”These words, sung softly from a mother to her child in Robert Munsch’s timeless Love You Forever, have lulled countless families into moments of quiet wonder. They’ve been whispered over cradles, read under covers during stormy nights, and passed down like heirlooms, turning ordinary pages into vessels of unbreakable connection. But what many don’t know is the depth of heartache behind this beloved story. Munsch, a father who lost two children at birth and, with his wife Ann, never had the family they dreamed of, until they happily adopted three children. He poured his grief into these lines—a lullaby not just for living children, but for the ones who slipped away too soon. It’s a testament to love’s resilience, transforming profound loss into something that heals and holds us all.
On a personal note, I gave my mother and mother-in-law a copy of this book one year for Mother’s Day. (Of course, they looked at me quizzically until I encouraged them to read it aloud. Once done, they both had tears in their eyes, with the knowledge of my intent.)
This book isn’t just a story; it’s a bridge across generations, a reminder that love doesn’t measure in milestones or years but in the quiet, persistent choice to keep showing up. The illustrations, with their soft blues and gentle curves, mirror the ebb and flow of life—joyful in the toddler tantrums, tender in the grown child’s weary return home. Munsch’s other works, like the fierce independence of The Paper Bag Princessor the playful rebellion inMortimer, echo this same spirit: life’s messiness is worth embracing, not escaping. Over 80 million copies sold, translated into more than 20 languages, his stories have sparked imaginations worldwide, proving that even from pain, beauty blooms.
Robert Munsch
Yet, reading about Munsch’s recent openness about his own struggles hit me like a wave. Diagnosed with dementia in 2021, followed by Parkinson’s, the now 80-year-old author shared in a September 14, 2025,New York Timesinterview that he applied for and was approved for Medical Assistance in Dying (MAID) shortly after his diagnosis. He worries about becoming a “lump” for his wife to care for, about losing the stories that define him. His daughter Julie clarified soon after, emphasizing he’s “not dying anytime soon” and is doing well for now, but the weight of his choice lingers. I understand that fear intimately. My own mother battled prefrontal dementia, her once-vibrant mind unraveling into frustration and isolation. The woman who raised me with laughter and wisdom became someone we had to guide, her days a fog of forgotten names, unspoken fears, and huge episodes filled with rage. It was heartbreaking, a slow erosion that tested our family’s love to its limits. And in the quiet aftermath, I’ve wrestled with the same shadows: my brother’s suicide amid his chronic illness, my uncle’s, my mother’s years of suicidal ideation, and even my own attempt during a season of unrelenting despair.
These experiences have etched deep lines in my soul, but they’ve also illuminated truths I hold dear. In the pre-existence, as I believe we did before coming to earth, we chose this mortal journey—not to avoid its thorns, but to walk through them. Heavenly Father allows illnesses like dementia, the gnawing ache of Parkinson’s, the invisible grip of depression, not out of cruelty, but as part of a grand design we can’t fully see. Why? To teach us empathy in our weakness,resilience in our frailty, and compassion for others’ unseen battles. Elder M. Russell Ballard, in his compassionate address “Suicide: Some Things We Know, and Some We Do Not,” reminds us of this divine mercy. He speaks of a faithful man, confined by illness, who ended his life in muddled despair—yet emphasizes that God judges not by the act alone, but by the heart’s intent, the mind’s clarity, and life’s full tapestry. “Judgment is the Lord’s,” Ballard teaches, quoting Elder Bruce R. McConkie: those under great stress, mentally clouded or chemically imbalanced, “are no longer accountable for their acts.” The Lord sees our genetic makeup, our emotional storms, the traditions and teachings that shape us. As Alma promises, if our works and desires are good, we will be “restored unto that which is good” (Alma 41:3).
My Mother
Munsch’s life echoes this. From the ashes of losing his babies, he created Love You Forever—a gift that has comforted millions, including me as I navigated my family’s losses. His stories remind us that even when the body fails or the mind fades, the spirit’s legacy endures. Choosing to end life early cuts short that sacred unfolding, robbing us of the growth, the unexpected joys, the quiet revelations that come only through persistence. I’ve felt the temptation to let go, the whisper that escape is easier than endurance. But staying—messy, hard, holy staying—has shown me God’s hand in the details: a sibling’s unexpected hug, a scripture that pierces the dark, a stranger’s kindness that mirrors divine love. As the Prophet Joseph Smith taught, our Heavenly Father judges “according to the deeds done in the body… and His inscrutable designs in relation to the human family” (Teachings of the Prophet Joseph Smith, p. 218). Suffering doesn’t diminish our worth; it refines it, preparing us for eternal progression “line upon line.”
To anyone reading this in the grip of despair—whether from illness, grief, or the slow creep of forgetfulness—hear this: You are not a burden. You are a beloved child of God, your life a thread in His eternal weave. Your story, like Munsch’s, holds beauty yet untold. Hold on, not out of obligation, but out of the fierce love that says, “I’ll like you for always.” Reach out to those who can help carry the weight. Let their hands, and God’s, remind you that you’re not alone. In the spirit world, as President Joseph F. Smith saw in vision, even those who’ve stumbled can repent, pay the penalty, and receive “a reward according to their works” (D&C 138:58–59). Hope isn’t a fragile wish; it’s a promise.
As I reflect on Munsch’s courage in sharing his story, I pray it sparks not resignation, but resolve—for him, for my family’s memories, for all of us. Let’s choose life, one breath at a time, and keep singing our songs of forever.
If you or someone you love is struggling, please reach out—these lifelines are here to help:
• National Suicide Prevention Lifeline (US): Call or text 988 (24/7 support).
• Crisis Services Canada: Call 1-833-456-4566 or text 45645 (24/7).
Someone recently asked me if I’d always known I was meant to be a writer. The following is my answer to that formidable question. Writing the two Discovering Misty books was my first attempt at writing professionally.
It seems, though, I’ve always written. I was Editor for the California State Foster Parent Association for several years. One year, I was awarded special recognition for my newsletter at the National Foster Parent Association in Chicago. I was also Editor and VP for our FPA association in Sacramento County. That’s where I was a medical foster parent for 14.5 years, taking in more than 200 infants and children who were extremely medically fragile. We adopted 3 of our foster children, and 2 are still with us, never to leave home, and 1 married. The 2 with us are special needs. We had 5 kids at the time, who we homeschooled, then homeschooled them, and now we have 16 grandchildren and 3.5 great-grandchildren!
It has been suggested to me to write of my experiences as a foster parent. If I have time, I may just do that. We definitely had some experiences that would be fascinating to read about, and gratifying to share. Some of my stories are so heavily wrought with emotion from the various perspectives of the parties involved. Some of my babies were not expected to live very long.
One little guy came to me right out of NICU, not expected to live but a few hours. However, his story is in the medical journals of having lived 19 months in my home; his life filled our home with joy and heavenly sweetness from the start to that final day.
Due to confidiality restrictions, which I fully support, I will respectfully refrain from using his real name or circumstances. This sweet boy had the most gentle, yet playful, spirit. Every morning, in exasperation, I would fuss at him for pulling out his G-tube (gastrostomy tube used for feeding him his only source of nutrition), and he would laugh and laugh… Until I had to insert it back in.
Technically speaking, he should not have lived for more than a few hours. He was missing some vital organs, and was doomed at birth with another life-threatening medical condition. Yet, he rarely cried, or even complained. He couldn’t sit up or roll over, but he had so much angelic joy!
He had so little, but he was filled with love and joy. It was such a pleasure to have him in our home and we loved him very much.
I kept a diary for most of my foster children to later give to the parents. Writing in first person, I told the family how much “I”, baby loved them and thanked them for the privilege of being born into that family. There were many times, when I was writing, that I truly felt the spirit of that child communicating with the family they were separated from. Whether due to their own misdeeds, or their inability to care for the child, for whatever reason, I felt I was a bridge or gateway between spiritual realms. When the sacred occasion was to be present during the dying process, I literally felt myself as a conduit, one who aided in transferring that sweet spirit back home to waiting, loving family on the other side.
I love Magnolias! Always reminds me of growing up in South Louisiana. Now that we’re in East Texas, I have a special place to put our next tree — right in the front yard! Check out this great information sheet! —Shirley
Learn Magnolia flower (Magnolia grandiflora) farming with cultivation practices, global market demand, medicinal & ornamental uses, cost & profit …
I am thrilled to share my passion for children’s literature with you all. Reading aloud to children creates a special bond between parent and child. It’s not just about the story—it’s about the undivided attention, the shared joy, and the emotional connection that comes from cuddling up with a book. Both child and adult find delight in this shared experience.
Reading aloud isn’t about teaching or preparing kids for academic success. It’s about immersing them in the sounds, emotions, and rhythms of literature—think Mother Goose rhymes or simple poetry. These moments build a foundation of love and connection, not instruction. While early reading can give kids a head start, pushing them too soon risks tying love to performance, which can harm their self-confidence.
Once children learn to read, introduce them to great literature that sparks their imagination and touches their hearts. Avoid shallow “reading programs” that prioritize skills over substance. Good stories let kids explore others’ lives and understand their own emotions, fostering compassion and insight.
Church leaders like Harold B. Lee have emphasized the home’s role in nurturing quality family life. Reading together—whether at family home evening or dinner—cultivates love and supports emotional growth. Parents, even those with little formal education, can introduce their kids to the beauty of their native language through literature.
Here’s a curated list of children’s books to start your home library (check your local library!):
• Preschool: The Tale of Peter RabbitbyBeatrix Potter, Where the Wild Things ArebyMaurice Sendak, The Snowy Dayby Ezra JackKeats.
• Elementary: Charlotte’s Webby E.B. White,Winnie-the-Poohby A.A. Milne, The Borrowersby Mary Norton.
• Older Children: The Hobbitby J.R.R. Tolkien, The Lion, the Witch and the Wardrobeby C.S. Lewis, A Wrinkle in Timeby Madeleine L’Engle.
Let’s make reading a heartfelt tradition in our homes. Here’s to many more visitors and shared stories!
Shirley
P.S.”Look at the list from yesterday. How many of these books have you read?
How many of these books are on your “must-have’s” list? How about “Things My kids Must Know.” ?
Help me finish this list for my homeschooling daughter; if you believe another book should be on this list, please email me at s.m.ulbrich1@gmail.com
I was leafing through my old homeschooling files and found a list of some of the most exceptional books to read to your children or have them read themselves. I had created this list years ago, and as you can tell, haven’t added to or updated the list. I have found, though, that books don’t grow out of fashion or style, except if they’re technical books. (I wouldn’t want anybody using an old 1910 anatomy book to operate anyone with, for example!)
This list of exceptional books for children could become the nucleus for your home-literature experiences. They need not be bought; use your public library.
For Preschool-age Children:
Marguerite de Angeli, Book of Nursery and Mother Goose Rhymes (Doubleday, 1954)
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