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About the Arnault Family

https://acanadianfamily.wordpress.com/2023/10/12/arnault-st-arnault-var-surname-anchor-post/

Beausoleil’s Foundation: Acadian Freedom Fighter

Many people know about Joseph “Beausoleil” Broussard. That name is a proud part of Acadian history. If you’re familiar with Beausoleil, (English: Beautiful Sun), then, you know that Beyoncé is a direct descendant. I happen to share that distinction through my paternal grandmother.

Broussard is widely regarded as a hero and an important historical figure by both Acadians and Cajuns in Louisiana.

This story is about Catherine Richard, Beausoleil’s mother, (c1663 – after 1714). I’m working on a fun book which has to do with the Acadians, so, I’ve been thinking a lot about Catherine.

It is somewhat bittersweet because the content is for elementary-age school children. Naturally, the tone of the book will be appropriate for children. I considered putting the following thoughts here in this blog. Below are some facts I’ve collected from my genealogy work.

Born around 1663 in Port Royal, she came into a world where Acadia itself was unstable, contested, and vulnerable.

Catherine Richard’s life was not a neat genealogy line. It was a life lived under pressure, in fear, in grief, and in stubborn endurance.

Her parents, Michel Richard dit Sansoucy and Madeleine Blanchard, were among the early Acadian families trying to build a life on land that was never fully secure.

Catherine grew up in a place where survival meant farming, faith, family, and the constant awareness that history could break into your home at any moment.

By the time she was a teenager, Catherine had likely married François Broussard. She was still very young, probably about fifteen, when she began the life that would define her: wife, mother, mourner, survivor.

The records suggest that she and François had children almost immediately, and that some of those first babies died.

That kind of loss is easy to flatten into a line in a family tree, but in real life it meant a young mother burying infants before she had even learned how to fully live as an adult. It meant grief so early that it became part of the architecture of her life.

Then came the larger violence of history. In 1690, English forces attacked Port Royal.

Catherine would have seen the ships on the river, the cannons, the panic, the helplessness. The town was plundered. Homes were burned. Livestock was killed. The church was desecrated. The place where her children were baptized and where her dead were buried became a target. And this was not the only attack. More raids followed.

The family’s life in Port Royal became increasingly impossible, and like many Acadians, they moved upriver to Beausoleil, seeking safety, land, and some measure of peace.

But peace was always temporary. Catherine’s family was large, and the records show both growth and loss. She had children who survived into adulthood and children who vanished from the record, likely buried in unmarked graves.

She lost her mother, probably around the time she was still a young woman herself. She lost her father later. She likely lost siblings, children, neighbors, and the sense that the world could be trusted.

Catherine’s life was marked by repeated bereavement: babies, parents, perhaps even a child or two in the years after 1690. Her suffering was not singular; it was cumulative.

Her sons Alexandre and Joseph Broussard became the most famous members of the family.

Joseph, known as Beausoleil, became one of the great Acadian resistance leaders. He and Alexandre did not simply endure the English conquest and deportation; they resisted it.

They fought, hid, escaped, regrouped, and kept going when surrender would have been easier. Their story is one of courage, but it is also one of relentless loss.

They lost homes, land, freedom, relatives, and eventually, in exile, many more family members to disease and hardship.

François Broussard and Catherine Richard made the move to the village of Beausoleil between the 1693 and the 1698 census.

In today’s language, they would rightly be framed as “freedom fighters”, but that freedom came at a devastating cost.

The Acadian Expulsion was not just a relocation. It was a tearing apart of a people. Families were separated. Children were taken. Homes were burned. Entire communities were erased.

The Broussards’ story shows the human scale of that catastrophe. Catherine’s sons became symbols of resistance, but they were also sons of a mother who had already lived through decades of fear and grief before the final catastrophe even arrived.

In 1698, according to census records, Françoise, age 45, and Catherine, age 35, have Madeleine, 18, Pierre, 15, Marie, 13, Catherine 7, Elisabeth 5, François, 3, and Claude, one-half.

They have 15 cattle, 20 sheep, 14 hogs, on 16 arpents of land, with two fruit trees. Additionally, they have two guns and a servant, so all things considered, they are doing very well.

Of Catherine’s 10 known children, meaning those who did not die as children, and for whom we have names, the oldest three disappeared from the records around the time of the Expulsion, three died in Port Royal, one is last found in Maryland, one died in Quebec, and two founded the Cajun community in Louisiana.

These latter two, Joseph Beausoleil and Alexandre, were born 2 years apart. Catherine had one more child after Alexandre. I happen to be a direct descendant of Joseph through my paternal grandmother. Catherine gave birth to anywhere between 10 to 19 children, according to records, and perhaps more.

Catherine herself likely died before the Expulsion, but her life was the foundation from which her children’s resistance grew.

She raised them in a world that taught them how to survive, how to endure, and perhaps how to refuse submission.

What makes Catherine’s story so powerful is that it is not only about famous ancestors. It is about the ordinary, brutal reality of Acadian life.

It is about a woman who buried children, watched her home burn, moved to survive, and kept raising a family in a land repeatedly threatened by war. It is about the quiet heroism of mothers whose names are often preserved only in censuses and parish registers, yet whose lives shaped entire peoples.

Catherine Richard was not a footnote to Joseph Broussard dit Beausoleil. She was the root system beneath him.

And that is the deeper truth of the Acadian story. The famous names matter, but they were carried by mothers, fathers, grandparents, and children who lived through terror without the luxury of being remembered as legends.

Catherine’s life reminds us that history is not only made by battles and treaties.

It is made in kitchens, fields, graveyards, and burned-out homes.

It is made by women who keep going after loss, by families who rebuild after raids, and by people who refuse to disappear even when the world tries to erase them.

New Clip: Philosophy

Building Blocks of a Good Life

My Hope and Dream

I’ve been experimenting with Nightcafe and am so happy at the way this has turned out.

My prayer is that, when the time comes, I will be greeted by my own children whom I have lost, foster children who passed away in my home, and all the multitudes of ancestors I’ve done the work for.

The tragic Acadians lost in the diaspora called The Great Dispersal that drove many to Louisiana.

To the Ancestors who came to the New World from France and dug trenches called dykes in Nova Scotia. All of these contributed to my bloodline, on both sides of my parents.

One, a veritable hero, Beausoleil Broussard, my direct ancestor that I happen to share with Beyoncé.

Another ancestor, unnamed due to threat of shaming, an ancestor who was the unknowing carrier of the deaf blind and balance scourge of many Cajuns, Usher Syndrome. Another, Tay Sachs syndrome, shared by tight-knit Jewish communities.

To my Louisiana Ancestors, who braved yellow fever, great storms and hurricanes, and sweltering heat. Worst of all, the mosquitoes who ravaged bodies with yellow fever. Even the awful monster, leprosy, inhabited so many bodies, clinics still exist in Louisiana. Yet, they survived. With their celebrations at Mardi Gras, and family crawfish boils, along with cotton picking parties and Saturday night dance halls. My childhood was filled with such great memories! In fact, I was nearly born on my grandfather’s shrimp boat on New Year’s Eve night. The shrimp were running so good, nobody except Mama was in a hurry to get off that boat! I just barely made it to the hospital at Lafayette General (called Charity Hospital at the time. The building’s still there.)

To my one line of Irishmen, the Pepper’s, who came right after the great potato starvation time, who first witnessed persecution, and then, founded a good life of blacksmithing. (My grandmother’s grandmother wasn’t allowed to speak in her native tongue, even at home, but my mother recalls her beautiful “sing-song” accent in her Cajun speak.)

“Sleepy Tales” Almost Ready!

My bedtime storybook, “Sleepy Tales” is very nearly done! I’ve just got one more illustration to complete, and then, it’ll be ready for final review. I’m so excited! It’s a very cute book, I must say.

Just one of the ten stories!

Stay tuned! More details coming.

Happy Easter!

Christ is Risen!

Truly, He Has Risen!

Just a Reminder…

I’ve had this little book out on Amazon for a while now. Hope you’ve all had a chance to check it out. It’s really sweet; there’s a double story about the dangers that these beautiful ocean turtles experience – many lose their limbs to nets, fishermen’s nets that get caught up in their flippers.

Anyway, I just wanted to share my new video for book # 2 of Discovering Misty.

Please check it out! There’s some great reviews in Goodreads too.

Thanks all!

https://youtube.com/shorts/l5y01saAX8w?si=wiqfFpAOFkES6QY1

mibextid

https://a.co/d/0cAAqxcX

Happy St. Patrick’s Day!

To all you “Wearin’ the Green”…

And

The Magic of Runes in Modern Storytelling

As an author weaving tales of survival and mysticism, I’ve fallen in love with runes, those enigmatic symbols from our ancestors. Today, let’s explore how these ancient marks breathe new life into modern stories, drawing from their historical roots to inspire today’s readers and writers.

Imagine a world shattered by catastrophe, where survivors cling to fragments of ancient wisdom to forge their path forward. In my Zion series, a mysterious rune etched on a weathered stone whispers prophecies of hope amid the ruins. It’s not just a plot device—it’s a bridge to the past, pulsing with magic that feels alive on the page.

Runes aren’t mere letters; they’re portals to a bygone era. The Elder Futhark, the oldest known runic alphabet, emerged around 150-800 AD among Germanic tribes in Scandinavia and beyond.

Carved into wood, stone, or bone, these 24 symbols served practical purposes—like labeling possessions or commemorating the dead—but they also carried deeper, mystical connotations.

Derived from the word “rún” meaning “secret” or “mystery” in Old Norse, runes were believed to hold divinatory power. Warriors might consult them before battle, or shamans use them in rituals to glimpse the future.

Historians draw much of what we know from sources like the Anglo-Saxon Rune Poem and the Norwegian Rune Poem, which assign poetic meanings to each symbol.

Take Fehu, the first rune, shaped like a cattle horn: It represents wealth, prosperity, and the rewards of hard work.

Uruz, resembling an aurochs (a wild ox), embodies raw strength and endurance—perfect for tales of overcoming adversity.

Then there’s Ansuz, linked to Odin, the Allfather, symbolizing wisdom, communication, and divine inspiration.

These aren’t static definitions; they’re fluid, open to interpretation, which is why they fascinate storytellers like me.

In my Zion series—starting with Zion: The Beginning and continuing through the chronicles—I’ve adapted these runes to fit a post-apocalyptic landscape. Here, they’re more than historical nods; they’re survival tools.

Characters decipher rune-inscribed artifacts to unlock hidden bunkers or predict environmental threats, blending ancient lore with futuristic grit.

For instance, a protagonist might trace Uruz during a brutal storm, drawing on its energy to push through exhaustion.

This isn’t arbitrary—I researched authentic meanings to ensure they resonate authentically, then twisted them to serve the narrative. It’s like Tolkien did with his Elvish scripts or runes in The Hobbit, where they add layers of world-building that make Middle-earth feel timeless.

What draws me to runes in storytelling is their versatility. They’re visual poetry: Simple lines that evoke complex ideas, making them ideal for visual media like book covers or fan art.

In Zion, they symbolize resilience in chaos, mirroring real-world themes of adaptation in uncertain times. And honestly, incorporating them sparks my creativity—it’s like unlocking a secret code in my own writing process.

Speaking of process, let’s get practical. If you’re an aspiring writer eyeing mystical elements, runes are a goldmine. I start with research:

Books like The Rune Primer by Sweyn Plowright or online archives from museums provide solid foundations without overwhelming you. Then, I sketch them out—drawing Fehu or Ansuz helps internalize their shapes and energies.

One tip I had fun with: Try “rune journaling.” Each morning, pull a rune (you can use apps or make your own deck) and let it inspire a scene. Stuck on a character’s motivation? Draw Ansuz for a wisdom breakthrough. It’s a low-pressure way to infuse some Nordic or Celtic magic into your drafts.

In Zion, this method led to some of my favorite twists—like a rune that shifts meaning based on context, forcing heroes to question fate. It’s empowering: Runes remind us that stories, like real life, are woven from choices and interpretations. If you’re curious, grab a notebook and experiment— who knows what secrets you’ll uncover?

As we step into 2026, runes feel more relevant than ever. In a world buzzing with AI and rapid change, they ground us in human heritage while fueling imagination. Whether you’re devouring fantasy epics or crafting your own, these symbols endure because they tap into universal truths: Strength in struggle, wisdom in whispers.

From Book 1: Zion: The Beginning Of the 6-part Series “America’s Great Perfect Storm”

If runes have sparked your interest, let me know and when it’s ready, I will let you know.. You’ll dive into the Zion series on Amazon—start with Zion: The Beginning and see how these ancient marks shape a new world.

Share your thoughts in the comments: Have you used runes in your stories, or do they appear in your favorite books?

I’d love to hear! And stay tuned for more chronicles woven in runes—next up, perhaps a rune-deep dive on my upcoming podcast.

Thanks for reading, fellow adventurers. Until next time, may your paths be marked with prosperous runes.

It’s January! A New Year. A Time of New Beginnings

Maybe you’ll set a goal for this new year⁠. Some people choose a word to represent their intentions for the year ahead. This year⁠, our family will be focusing on the same verse of scripture: Moses 6:34⁠, “Walk with me.” This was an invitation given to the prophet Enoch.

As Enoch journeyed through the land, the Spirit of God rested upon him. Then the Lord spoke to him. He taught him about His plan of happiness, which would give purpose and meaning to life. Everyone longs to have better and deeper meaning and purpose in their lives. When the Lord finished describing His plan, He gave Enoch an invitation: “Walk with me.”

As you journey through this new year⁠, maybe you’ll find yourself looking for happiness, purpose, and meaning. We could all learn from Enoch’s story and invite the Lord to be part of our journeys this year⁠, no matter where we go…or stay.

As you might already know, I have been dealing with Chronic Kidney Disease. I’m thankful to still be here, as I’ve got much to do. I hope to use my time wisely, so I’ll be ready when the time comes.

You could choose to walk with Him. As you do, blessings await. I’m sure each of us will be better for it, if we determine for ourselves that we will walk with the Lord.

It’s going to be a good year⁠.